Brett Jarvis

Brett's career has spanned over 30 years across legitimate theatre, industrials, installation, consultation, technical supervision, show control integration, and video design. His work lives at the intersection of technical precision and creative ambition—designs that don't just serve the story, but disappear into it, creating sonic environments audiences feel without noticing.

His immersive work has defined the field. As sound designer for Masquerade, Andrew Lloyd Webber's reimagining of The Phantom of the Opera, Brett faced the challenge of coordinating over 1,000 speakers across five floors with six simultaneous performances—and made it feel inevitable. Other immersive credits include Pip's Island, Tyra Banks' Modelland, and The Ride NYC.

Theatrical credits span Broadway, off-Broadway, and beyond: Kiki and Herb—Alive on Broadway!, Avenue Q (Lucille Lortel Award), Speech and Debate, Baby Universe (Drama Desk Nomination), Two Trains Running (Audelco Nomination), Brutal Imagination (Lucille Lortel Nomination), Bill Irwin's Mr. Fox: A Rumination, Athol Fugard's Blood Knot and The Train Driver at Signature Theatre, and the long-running hit The Donkey Show. Dance credits include Alvin Ailey American Dance Theatre and Dance Theatre of Harlem.